| Neue
Titel... |
|
Musiktitel |
Kurzbeschreibung |
Komponist|in |
Time |
|
Oblivion |
Chorales, orchestrales Werk mit subtilen Synth-Sequenzen |
Doug Collins |
02:46 |
|
Dreamcatcher |
Verträumter Ambient-Song, positiv und
hoffnungsvoll |
Doug Collins |
02:28 |
|
Caves of Paranoia |
Mystisches Horrorszenario, beklemmend und
bedrohlich |
Doug Collins |
02:29 |
|
Easy Going |
Entspannter, unbeschwerter Solopiano-Song |
Doug Collins |
02:16 |
|
Impulsive Good-Bye |
Bombastisch eingeleitetes, fulminantes Endthema |
Doug Collins |
00:18 |
|
Lost in Soul |
Solo-Piano, melancholisch und nachdenklich |
Doug Collins |
02:42 |
|
The Discovery |
Stetig zum epischen Werk ansteigendes
Fantasystück |
Doug Collins |
01:25 |
|
Thoughtful |
Solo-Piano, romantisch und leicht melancholisch |
Doug Collins |
02:23 |
|
Action Hero |
Heroisches modernes Filmmusik-Thema |
Doug Collins |
01:18 |
|
Change of Seasons |
Stimmungsvoller Ambient-Track mit weichem
Klavier |
Doug Collins |
02:48 |
|
Mellow Grand |
Solo-Piano, romantisch und hoffnungsvoll |
Doug Collins |
02:08 |
|
Piano Atmosphere |
Weich, ruhig, harmonievoll |
Doug Collins |
02:39 |
|
The Beginning |
Chorales, orchestrales und sich steigerndes
Werk |
Doug Collins |
02:06 |
|
True Romance |
Atmosphärisch und ruhig mit
groovigen Percussions |
Doug Collins |
03:05 |
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Musiktitel |
Feeling |
Beschreibung / Description |
Komponist|in |
Time |
|
Impressive & Romantic... |
|
Fly
High |
high |
impressive and positive
modern soundtrack -
piano theme, guitars and orchestra |
Ursula Tüttenberg |
02:41 |
|
Fly
High Var-1 |
high |
impressive and positive
modern soundtrack -
without the thunder at the beginning |
Ursula Tüttenberg |
02:41 |
|
Beyond_Now |
sunshiny |
innocent and happy mood
with bells, piano and strings |
Ursula Tüttenberg |
00:55 |
|
Romance |
romantic |
romantic piano theme with
string
orchestra and baritone horn |
Ursula Tüttenberg |
01:56 |
|
Berlin_Var-2 |
dreamin' |
modern big city night
atmosphere without drums - electro and wahwah guitars |
Ursula Tüttenberg |
01:18 |
|
Action Beds... |
|
Action 1 |
thrilling |
a pulsating stacc piano
in dialogue with marcato strings |
Ursula Tüttenberg |
01:08 |
|
Crime 1 |
mystic |
filtered beats and noises
with a groovy mysterious ambience,
electric and acoustic guitar solos - trip hop - jazz style |
Ursula Tüttenberg |
05:02 |
|
Always On The Run |
low action |
modern, electronica
elements, orchestral percussion, tenseful chords and swells, spy
feeling |
Pierre Langer |
03:32 |
|
Awaiting The Alarm |
heroic |
orchestral brass hook,
drumset, stacc strings, main melody get repeated in different
instrumentations throughout the track. |
Tilman Sillescu |
02:02 |
|
Keep It Cool |
stressed out |
slow but tensed mood -
modern organs, sci-fi beat - live guitars |
Pierre Langer |
03:35 |
|
City Limits |
cool / mystic |
smooth scape piece with
threatening middle part, orchestral ingredients with weird fills. |
Pierre Langer |
03:27 |
|
Cool City |
dark sci-fi |
groovy sci-fi track with
some effects, piano, electro sweeps, dark string chords |
Pierre Langer |
02:26 |
|
Dark City |
sombre |
sci-fi electronica with
dark soundscapes und gritty effects & piano - low drums, filter
effects |
Tilman Sillescu |
02:04 |
|
Massive |
danger / threat |
danger at hand, brass
clusters & melody mixed with strings and underground beats |
Pierre Langer |
03:30 |
|
Minor Release |
relaxed |
mellow, cool piece with
strings, piano, modern / sci-fi beat and bass, stacc strings in the
middle part bringing in some tension |
Pierre Langer |
03:44 |
|
Temptation |
dragging |
groovy with some ethnic
elements, moving forward with a cool low piano bass line - some
orchestral elements |
Pierre Langer |
03:39 |
|
Underground |
depressing |
very sinister soundscapes,
modern crushed beats, subbass |
Tilman Sillescu |
02:04 |
 |
|
Orchestral / Children Themes... |
|
Country Cake |
light-hearted |
innocent children playing
untroubled in the park |
Alexander Röder |
01:02 |
|
Goodbye Love |
innocent |
a childlike adaption of "brother
john", innocent & gladsome |
Alexander Röder |
01:58 |
|
Land Of Wonders |
sweet |
a delightful and romantic
arrangement with flute melodies, soft bellsounds, harp and pizzicato
strings |
Alexander Röder |
01:59 |
|
Little Ones |
energetic |
also little ones have
much energy to manage a difficult job |
Alexander Röder |
01:02 |
|
Monster Factory |
alert |
suspenseful orchestral
arrangement with timpanies and
percussion - looking for adventure |
Alexander Röder |
01:45 |
|
Mr Tiny |
impish |
yes they can do! a funny
orchestral theme |
Alexander Röder |
00:54 |
|
So Beautiful |
cheerful |
after the job is done,
everybody is proud and contented |
Alexander Pfeffer |
02:10 |
|
Orchestral / Dark
( with pulsating electro beats and
noises )
... |
|
Fiction Fight |
pulsating |
full low orchestra & sci-fi
effects, lots of mechanical fills, dominant sub bass line |
Tilman Sillescu |
02:58 |
|
Cornered Thrill |
suffocating |
sinister soundcape, very
dark, pianofills with effects, strings
& brass chords holding the
soundscapes together |
Alexander Roeder |
03:10 |
|
Wastelands |
groovy |
weird arabian, sci-fi
with ethnic voices and instruments - screeching effects & upturning beat |
Pierre Langer |
02:22 |
|
Dark Sky |
sinister |
acoustic Guitars,
soundscapes with breaking beats, percussive fills, low strings and
brass orchestra |
Pierre Langer |
02:21 |
|
Dark Waters |
chasing |
suspenseful strings,
processed, crushed drums, stacc brass over sweeping strings chords |
Pierre Langer |
02:44 |
|
Mayday on Mars |
menacing |
dark d'n'b with hard
guitars and heavy brass & string attacks, deep bass strings line |
Pierre Langer |
02:10 |
|
Rock the Future |
combat |
hard guitar licks,
electronic fills, straght beats with string and brass staccs
underneath |
Pierre Langer |
02:16 |
|
Sweeping Bass |
suspenseful |
electronic soundscapes
with strings fills and processed drums
groovy, sweeped bassline in
the second half |
Pierre Langer |
02:23 |
|
Slowly it Creeps |
threatening |
menacing stacc string
hook with open, reverbed drums, electronic fills and dark brass
chords |
Pierre Langer |
02:24 |
|
Stop CP |
combat |
aggressive electro
effects,
big beat drums, stacc strings & brass, underground combat track |
Pierre Langer |
02:04 |
|
Orchestral / Dramatic... |
|
Codename Ares |
dramatic |
fantasy music with brass
hook, full orchestra - super heroes music with some percussive break
parts in the end - memorizable hookline |
Alexander Pfeffer |
02:00 |
|
Cryptoplanets |
heroic |
military orchestra with
modern electronic elements, brass hookline, heavy brass stacc fills,
dramatic and uplifting choirs in the end |
Alexander Pfeffer |
01:52 |
|
Until they Came |
joyful |
joyful historic military
track, full orchestra - hollywoodesque
dragging rhythm |
Alexander Pfeffer |
02:03 |
|
Mission Omega |
chase |
slow start, depressing
military mood - switches to fast paced chase scene, full orchestra |
Alexander Pfeffer |
01:49 |
|
Sudden Interception |
heroic |
archaic track with full
orchestra, hectical and military start - mellow middle parts |
Alexander Pfeffer |
02:07 |
|
The Conspirancy |
suspenseful |
huge scale orchestral
track, a rollercoaster of movie moods, sometimes uplifting,
sometimes menacing |
Alexander Pfeffer |
02:13 |
|
The Infiltrator |
suspenseful |
the tracks waits for
something, tenseful, some combat that is going to happen, danger at
hand - full orchestra |
Alexander Pfeffer |
03:13 |
|
Forward Gladiators |
threatening |
spy theme - something
military - big time screen music. Full orchestra |
Pierre Langer |
02:21 |
|
Field of Honor |
dragging |
stacc brass with
uplifting string chords, very rhythmic - moody middle part - heartful
choir in the end with a lot of hits - good for trailers |
Pierre Langer |
02:11 |
|
Black Wolf |
dramatic |
Entertaining Hollywood
Military tune, starting very low and slow and rising to a big heroic,
very serious track. |
Alexander Pfeffer |
03:32 |
|
Orchestral / Mainthemes |
|
The Hour Of Triumph |
proud |
a beautiful piano ballad
with full orchestra, choir and drums -
everybody is proud and contented |
Alexander Röder |
02:27 |
|
Benediction |
prayerful |
soft horns, frowning
choir and deep drums -
awesome and hushed |
Markus Schmidt |
01:16 |
|
Dark Stars |
menacing |
a dangerous threat is
coming closer |
Pierre Langer |
02:48 |
|
Gothic |
prayerful |
a reposeful depressive
szene with church organ, timpanis,
bells and respects to the great J.S. "Bach" |
Tilman Sillescu |
02:33 |
|
Medieval Village |
peaceful |
short medieval sounding
theme with flutes, woodwinds,
a light rhythm & harp |
Pierre Langer |
01:04 |
|
Skyelves |
fantasy |
calm and friendly
orchestral theme with an awesome attitude and thrilling crescendi |
Pierre Langer |
02:00 |
|
Take Action |
suspenseful |
Please help us, the evil
is coming closer ;-) |
Alexander Röder |
02:30 |
|
Treasure Island |
moved |
soft horns, sound effects,
trombones and orchestra -
the treasure can't be far away |
Markus Schmidt |
01:02 |
|
Orchestral... |
|
Orchestral
Action |
chase |
a rollercoaster of
orchestral music, very moviesque, imagine a car chase or something
similar |
Tilman Sillescu |
05:05 |
|
Journey
to Neverland |
chase |
imagine Harry Potter and
add some Walt Disney and here you are at the movies |
Alexander Roeder |
02:01 |
|
Modern Chase |
suspenseful |
another chase scene, this
time a bit darker and more upbeat |
Tilman Sillescu |
02:07 |
|
Science
Fiction |
energetic |
cool beat and modern
effects mixed with strings, piano and brass elements. Strong main
theme |
Alexander Roeder |
02:16 |
|
Suspense |
evil / fantasy |
fantastic music in a
weird setting, very dark with chimes, deep strings and much time to
be frigthened |
Markus Schmidt |
02:08 |
|
Fantasy |
fantasy |
very sad medieval,
fantastic music that sweeps to a maintheme full of mysterious
changes |
Markus Schmidt |
02:30 |
|
Baroque |
sad |
typical baroque
instruments playing a sad and melancholic theme |
Markus Schmidt |
02:03 |
|
Heroic |
heroic |
strong hook line with
drum / timpani fills, dark choirs full of heroic emphasis |
Markus Schmidt |
02:12 |
|
Unnamable |
evil / fantasy |
ghostly female vocals
mixed with high celesta, fantastic and weird but still: beautiful |
Markus Schmidt |
02:17 |